Synth: Sequential Circuits Pro-One Review by: Tim Walters Summary: Versatile monophonic mini-synth. Excellent bang for the buck. Years Made: 80-81 (?) Polyphony: mono Multitimbrality: nope MIDI: nope Note on/off: MIDI controllers (aftertouch, CC, etc): Sysex patch dumping: Sysex parameter control: Other external control: CV/Gate: yes Clock: yes Other CV: filter Audio input: yes, with gate to trigger envelopes Proprietary (DCB, etc): nope Programmer: nope Patch storage: nope Patch dumping (tape, MIDI, etc): Voice architecture: VCO A saw/pulse (either or both), syncable to VCO B, hardwired to kybd VCO B saw/tri/pulse (any or all), lfo/normal, kybd on/off Noise (somewhere between pink and white)/external input 1 LFO (saw/tri/pulse (any or all)) VCF (cutoff, res, ADSR env amt, kbd amt) VCA (ADSR env) 2 modulation busses (direct/mod wheel) Mod sources: filter envelope, VCO B, LFO Mod destinations: VCO A freq, VCO A pw, VCO B freq, VCO B pw, filter Sequencer/Arpeggiator: 40-note dual sequencer, volatile Latchable up or up/down arpeggiator Keyboard/rack: keyboard only Known problems: none Accessories: none that I know of Related synths/gear: Prophet 5 -- manual says Pro-One is identical to one Prophet 5 voice Price range: $100-$350 (I've seen both) Availability: common Comments: A lot like a MiniMoog with one less oscillator. Strengths: Good modulations, oscillator sync and external input make this an extremely versatile synth for the price. Easy to work on-- it's easy to open, the layout is clear, the technical manual is well-written. I like the sound but haven't heard enough of the classics to really compare it in-depth to them. It's very light and portable, as well. Weaknesses: No HPF, only one flavor of noise, LFO inseparable from arp/seq clock unless you have external clock source (or use gate from external audio). Overall: Excellent price/performance ratio. Other: Tim Walters Demiurge Core Dump Records walters@digidesign.com or walters@mills.edu