From billy@irvine.com Sat Apr 9 23:08:07 1994 Date: Sun, 9 Jan 1994 09:40:21 GMT From: ** Bouncer ** Newsgroups: rec.music.makers.synth Subject: Re: Roland JX-10 and Super Jupiter > I'm about to buy a Roland Super JX-10 or a Super Jupiter. Could somebody >please give me some brief informations about these two synthesizers? JX SERIES Roland released the JX-3P in 1983, a new-generation synthesizer with MIDI, digital control (though analogue synthesis) and digital parameter access. The JX-3P featured 6-element dual-DCO voicing, a five octave keyboard, 64 patch memories and a *very* basic sequencer. Modular equivalent: MKS-30 Planet S. The machine was relaunched in 1985 as the JX-8P, gaining a velocity and aftertouch sensitive keyboard, 96 patch memories, a RAM cartridge slot, some clever modulation routing and a much-improved MIDI spec. The sequencer got the boot. In 1986, Roland announced their new flagship, the JX-10. Essentially two JX-8P's in one box, it featured a 76-note velocity and aftertouch sensitive keyboard, a respectable real-time sequencer and a snazzy fluoresent display. Modular equivalent: MKS-70 Super JX. ps. The above info was provided by a previous post to rmms by.... > ---------------------------------------------------------------------------- >| Paul A. Green paulgr@CIS.Prime.com | >| Systems Software Engineer Tel: +44 223 873366 | >| Computervision R&D, Cambridge, England Fax: +44 223 870131 | > ---------------------------------------------------------------------------- The JX10 offers some quasi-FM tunning/ring-modulation which makes it an analog synth quite capable of some digital timbres. Also, the JX10 is 12 voice polyphonic. It can be split/layered, playing two independent patches, each with 6 voice polyphony on two different MIDI channels. There also is the PG-800 which is an analog-style knob/switch interface for programming the synth. The programmer also generates system exclusive (I believe) which means you can sequence an edit in real-time. The aftertouch is a little stiff to play from the keyboard (possibly related to the same way Roland setup their A80, heavy duty resistors? :-) The JX10 useses the "old style" Roland MC-64 memory cartridges. These might be hard to find, unless a store somewhere had some old stock back behind the counter somewere. The back panel of the JX10 sports a mono-mix, stereo-upper, and stereo-lower audio outputs (for a total of 5 outs). With its built in chorus (two levels) you can get some very warm classic Roland sounds. It also provides volume pedal, sustain pedal, and patch-change-advance pedal inputs. Oh, and you can name your own patches (12 characters I believe). I've worked with both the rackmount (MKS-70) and the keyboard (Super JX10), and the rackmount runs pretty hot, so you'll want to be sure and provide sufficient ventillation when installing it in your rack. Oh, and if I've forgotten anything :-) -- Billyb (** Bouncer **) From orion.oac.uci.edu!usc!sdd.hp.com!uakari.primate.wisc.edu!usenet.coe.montana.edu!decwrl!pa.dec.com!nntpd.lkg.dec.com!sousa!ranger.enet.dec.com!eirikur Tue Jan 21 13:17:06 PST 1992 Article: 28151 of rec.music.synth Path: orion.oac.uci.edu!usc!sdd.hp.com!uakari.primate.wisc.edu!usenet.coe.montana.edu!decwrl!pa.dec.com!nntpd.lkg.dec.com!sousa!ranger.enet.dec.com!eirikur From: eirikur@ranger.enet.dec.com (Eirikur Hallgrimsson) Newsgroups: rec.music.synth Subject: Re: JX-3P & Mini Moog. Message-ID: <1978@sousa.ltn.dec.com> Date: 18 Jan 92 18:13:57 GMT Sender: newsa@sousa.ltn.dec.com Organization: Digital Equipment Corporation Lines: 18 In article <1992Jan17.165505.2794@vlsi.louisville.edu>, TPKLIN01@ulkyvx.louisville.edu (THOMAS P. KLINGLER) writes... >Hey, is $125.00 a decent price for a JX-3P? I like the ease of programming, and >the sounds so far. I can keep it until the end of the semester if I haven't >decided. I don't like not being able to sync the sequencer (I KNOW it's weak) >to my HR-16 drum machine. The JX-3P is a STEAL for that price. You won't find sound like that on anything less than a thousand dollars these days--maybe a D50. It depends upon what you want it for. The analog sound can't be beat. The lack of velocity or pressure sensing is a drawback. Eirikur Hallgrimsson | Shopping list? How about a PUBLISHER! eh@ranger.enet.dec.com | PATHWORKS for Macintosh| "Close B, clothes mode." From news.service.uci.edu!usc!cs.utexas.edu!uunet!mcsun!sunic!lth.se!axisab!ricard Mon Sep 28 11:50:44 PDT 1992 Article: 40107 of rec.music.synth Newsgroups: rec.music.synth Path: news.service.uci.edu!usc!cs.utexas.edu!uunet!mcsun!sunic!lth.se!axisab!ricard From: ricard@axis.se (Ricard Wolf) Subject: JX-3P (was Super Jupiter/JX10 etc.) Message-ID: <1992Sep21.071254.16733@axis.se> Organization: Axis Communications AB, Lund Sweden References: <1992Sep14.153826.25779@bmerh85.bnr.ca> Date: Mon, 21 Sep 1992 07:12:54 GMT Lines: 26 In article metlay@netcom.com (metlay) writes: >The JX3P was a true analog synth keyboard with six voices and a combined >preset/programmable memory. + a 128-note step programmable non-MIDI-syncable fun little sequencer. Actually, the JX3P was not what I'd call a _true_ analog; the oscillators were part digital as in the Matrix-6, Juno-60, Juno-106 etc etc etc. If you _really_ want to get picky about it, neither were the LFO or EG; both were processor-controlled (an 8051 if I remember correctly). I always found the JX3P to have a thin sound; very good for airy strings however. Opposing views? /Ricard Footnote: A _true_ analog is, as far as I'm concerned, a synth were all the modules are analog: VCO's, even envelopes and LFO's. Like the Prophet-V or the Memory Moog, or your favourite monophonic. Ok, a machine like the T8 comes close, with it's processor-driven EG's (which actually offer some extra features... but let's not get into THAT). -- Ricard Wolf / | \ / | /- email: ricard@axis.se Axis Communications AB /__| \/ | \__ uucp: axisab.se!ricard S - 223 70 LUND / | /\ | \ Tel: +46 46 19 18 63 SWEDEN / | / \ | \__/ Fax: +46 46 13 61 30