Date: Wed, 12 Aug 1998 14:37:00 -0700 From: "Brigman, Corley" To: analogue@hyperreal.org Subject: More Kawai SX240 info (for the archives) A more complete picture of this beast (now that I have the manual). For the archives: Kawai SX240 Oscillator section: Kind of a 1 3/4 oscillator setup. DCO 1: Sawtooth, pulse with either pw or pwm. Both can be on at once. On/Off only. DCO 2: Squarewave only. Coarse detune up to 2 octaves +/- in 1/2 semitone increments. Fine detune +/- one-half semitone. On/off only. Sub-osc: Squarewave, 1 octave below DCO1. On/off only. Noise: Adjustable, 0-99. White noise it sounds like. Brass: Actually a ring-mod osc between DCO1 and 2, on/off separate from above (can be on without DCO1 or 2 on). No sync options. 8 voice polyphonic. Filter section: Resonant LPF, non-resonant HPF. Resonance is weird, approaches self-oscillation until res=98 then at res=99 jumps way up to self-oscillation. Last step is a big jump. Sounds best at around 60. Typical SSM2044 filter, i think. Gets whiny with both res & cutoff really high. Kind of dirty sounding. Dedicated ADSR envelope. VCA: Typical VCA. Dedicated ADSR for volume. Other: Really cool ensemble effect, MN3009 based. 1 LFO with tri,saw,square and reversible. LFO delay. LFO can retrigger envelopes as well for pulsing effects. Routable everywhere. Three modes: Mono, Poly 4, and Poly 8, with chord memory in P4/M modes. Rudimentary midi, responds on Omni (although I've heard an omni off will let it respond on channel 1 instead, haven't tried it), transmits on channel 1, only midi note on/off, prog change, pitch bend (i think), and sequencer commands supported. Sequencer: Simple sequencer, step entry. Syncs to midi clock, responds to seq start/stop commands. Transposable. 8 sequences, linkable. Interface: Two rows of LEDs in a matrix and a single big knob. Three buttons (left, right, up/down (since there's only two rows up or down is the same, and there's only one button). One LED/parameter and it lights up when that parameter is active. Overall: Good synth, a little strange. Excellent chorus. Filter can be whiny or creamy or rough, unlike many other synths I've used it seems to be very dependent on programming...sometimes it sounds good, sometimes it sounds awful. good bass. corley brigman intel corp. corley.brigman@intel.com speaking for me, not for intel.