From analogue-request@magnus.acs.ohio-state.edu Wed Apr 14 22:40:30 1993 Received: by quark.magnus.acs.ohio-state.edu (5.65/3.910213) id AA26587; Wed, 14 Apr 93 22:39:32 -0400 Errors-To: analogue-request@magnus.acs.ohio-state.edu Sender: analogue-request@magnus.acs.ohio-state.edu Received: from Elroy.UH.EDU by quark.magnus.acs.ohio-state.edu (5.65/3.910213) id AA26581; Wed, 14 Apr 93 22:39:30 -0400 Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF #3125 ) id <01GX0L4JJXG08ZF5UB@Jetson.UH.EDU>; Wed, 14 Apr 1993 21:39:22 CDT Date: 14 Apr 1993 21:39:22 -0500 (CDT) From: "CRAZY DJ (U C ME N 3D)" Subject: ACiD To: analogue@magnus.acs.ohio-state.edu Message-Id: <01GX0L4JJXG28ZF5UB@Jetson.UH.EDU> X-Vms-To: @ANALOG Mime-Version: 1.0 Content-Transfer-Encoding: 7BIT Status: OR I have a 202, so I'll be giving the configuration from that. The sliders (ADSR, freq, LFO, etc.) are on a scale of 1-10. LFO: 0 DELAY: 0 VCO --- MOD: 0 Range: 16' SOUCE MIXER ----------- square wave: 10 rising sawtooth: 5 Sub. Osc.: 0 VCF --- FREQ: 6 RES: 8 ENV: 6 MOD: 6-7 (this is to let the LFO take over the rising and falling timbers (you should use the sequencer with a bassline, I'll give one below) KYBD: 0 VCA --- set to GATE (square wave, notes are either on or off) ENV --- Attack: 0 Decay : 2 Sustn.: 0 Reson.: 2 Now, program your sequencer with the following notes: 4 1/16's of F 1 1/8 of F (one higher octave, oops the above F should be the lowest) 6 1/16's of F (same as the first. The lowest F, or 2 down from mid-C) 1 1/8 of C (above last F (previous line)) 1 1/8 of B (half-step down from C) And loop this through the filter, and you have an awesome acidline! later, -james -djkc